ebb+flow studio fine art: Early Work from 1998

Thursday, February 4, 2010

Early Work from 1998

Pearl Series triptych detail

Pearl Series Triptych detail

Pearl Series Triptych, 48" x 16" each

Sea of Change

Net Work

Emerging Life

Ebb and Flow

These are some more early paintings, I think circa 1998. They still have some of that raw quality of the early pieces that I mentioned last time. I'll have to see if my hard drive recovery saved any more of the older pieces.

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About My Work

I've been exploring this body of work since 1997. It arose conceptually from my notion of the house as a metaphor for female experience, with walls as a metaphor for the body that contains that experience. Many of the symbols that I use are derived from the interior (or female) space of ancient cave sites; the materials I use are for modern house building; wood panels and topping compound, or drywall mud. Topping compound re-wets, so the acrylic washes that I use to paint the symbols get absorbed and contained, rather than sitting on the surface as does paint typically. With this last series, Interstitial Revelations, I began to paint oil directly into the topping compound. I made this decision based on my research into adobe floors for my new house. The adobe mud is sealed/cured with linseed oil, the same oil as from which oil paint is made.

I discovered many of these symbols in the work of the late UCLA archeologist, Marija Gimbutas, author of the books Language of the Goddess, Civilization of the Goddess, and Goddesses and Gods of Old Europe, among others. While some of the symbols are said to be general representations of woman, others are specifically stylized vulvas, the site from which life emerges. What connects me spiritually to this work is the fact that ancient people who worshipped the goddess saw women, and specifically the vulva as sacred, honored and respected. Learning this was a turning point in my life and represents the point at which I had my first positive model of woman. Author Riane Eisler's books The Chalice and the Blade and Sacred Pleasure also had a huge impact on my life and work. Learning that ancient cultures were ordered on the principle of partnership rather than domination and submission (as we now order our culture) was particularly profound.

I layer symbols that represent inter-connectedness and partnership with symbols that represent isolation and separation. I try to find a visual balance, as a metaphor for the balance we must find in our lives as individuals who are intimately connected to everything around us. Over time the symbols have morphed and I have added other symbols of my own in order to further explore various aspects of these ideas and my connection to them.

ebb+flow studio fine art

Thursday, February 4, 2010

Early Work from 1998

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Interstitial Revelations: Resonance

About My Work

Interstitial Revelations: Renascence

Interstitial Revelations: Resolution

Interstitial Revelations: Recollection